Nilay Baranwal
  • WorkSection
  • WritingSection
  • LabSection
  • Open sourceSection
  • GallerySection
  • AboutSection
  • ResumeSection
  • ContactSection
  • Hive MindProject
  • Pre-trade dashboardProject
  • Social LineProject
  • PartymakerProject
  • Orvio.aiProject
  • Agentic property managementProject
  • AI agents now outwork humans at Anthropic. Junior engineers are feeling it first.Article
  • Anthropic replaced git. Here's why you probably shouldn't.Article
  • Recruiters can now interview your AI twin. Here's what it actually checks.Article
  • Everyone's building a Jev rival. The independent numbers tell a different story.Article
  • Jev vs OpenAI Decisions API: which decision model should your agent use?Article
  • Top 10 Jev use cases in agentic appsArticle
  • Jev vs Laya: decision modelsArticle
  • LLMs or Jev: where each one actually fitsArticle
  • Everyone's talking about Jev. Here's a closer look at what the data shows.Article
  • Live agent with an approval gateLab
  • AI engineer interview, beginner pathLab
  • Behavioural interview coachLab
  • Interview drill, experiencedLab
  • AI adoption plannerLab
  • Discovery call simulatorLab
  • Scope a vague problemLab
  • MCP analyzerLab
  • MCP inspectorLab
  • Tool gate playgroundLab
  • Prompt-injection spotterLab
  • RAG chunking visualizerLab
  • Eval benchLab
  • Agent trace debuggerLab
  • Prompt caching simulatorLab
  • Context window budgetLab
  • textagentOpen source
  • Help EngineerOpen source
  • Email nilaybaranwal@gmail.comContact
  • Connect your agent to my MCP serverLab
  • LinkedInContact
  • GitHubContact

Gallery

This site is styled after the walls of New York in the late 70s and early 80s. These are studies of that work, hung in one room. They are not the originals.

After SAMO©, crown, SoHo, 1977–80. Spray paint on wall.
After Keith Haring, Subway Drawings, 1980–85. Chalk on black paper, drawn on empty ad panels.
After Keith Haring, Radiant Baby, 1980s. Chalk on paper.
After Richard Hambleton, Shadowman, early 1980s. Black paint on brick.
From Jenny Holzer, Truisms, 1977–79. Offset print, pasted unsigned on Manhattan walls.
After the whole-car pieces painted on New York subway trains in the 1970s and 80s by writers like Lee Quiñones. Spray paint on steel.
After SAMO© (Jean-Michel Basquiat and Al Diaz), 1977–80. Marker on SoHo walls.
After Richard Hambleton, Image Mass Murder, 1976–79. Body outlines splashed with red paint on city streets.
After Keith Haring, a flying saucer from the Subway Drawings, 1980–85. Chalk on black paper.
After Keith Haring, Crack Is Wack, 1986. Paint on a handball court wall at Harlem River Drive and 128th Street.